Dave Fenner
Created by James Hadley Chase
(pseud. of Rene Brabazon Raymond; also wrote as Raymond Marshall)

James Hadley Chase's first novel, No Orchids for Miss Blandish (1939) was dashed off by the former door-to-door encyclopedia salesman in just six weekends (according to legend) to capitalize on the popularity in Britain of imported American hard-boiled crime fiction and to score some quick bucks.

Suffice it to say he succeeded.

The story, set in those nasty lawless United States of America revolves around the kidnapping of young American heiress Miss Blandish (and her jewelry) by a group of thugs who almost immediately lose her to a larger and better organized gang led by the sadistic, sexually impotent and mother-fixated Slim Grisson. His dear ol' mum suggests that rape might be the answer to his impotence.

Meanwhile, Miss Blandish's father has hired ex-journalist turned private eye DAVE FENNER to rescue his daughter, which Fenner does -- through a combination of bribery, torture and murder. Along the way there are numerous scenes of torture, murder, rape, machine guns and hand grenades, suicide and -- just for good measure -- passing references to Slim's childhood past time of cutting up small living animals with a pair of rusty scissors and another man's face is held over the burner on an electric stove to get him to talk.

Much like Mickey Spillane's similarly controversial I, the Jury which would appear just a few years later, No Orchids for Miss Blandish was a publishing sensation. It sold over half a million copies in Great Britain alone. It may have been deemed vile and sick by some, but the British, then undergoing constant bombardment by the Nazis, lapped it up; a "phenomenon, George Orwell suggested, "brought about by the mingled boredom and brutality of war."

Despite its popularity, the book drew much hostility from critics upon its publication, not just for its violence but for being such a blatant rip-off of William Faulkner's Sanctuary. In fact, charges of plagiarism and lifting passages verbatim or almost verbatim from other writers dogged him throughout his career, eventually prompting Chase later in his career to publicly apologize to Raymond Chandler.

But the book also had its literary defenders, most notably George Orwell, who championed it in his 1944 essay "Raffles and Miss Blandish," in which he examined crime fiction, most notably the violence and brutality of American-style pulp fiction and the growing British appetite for it, calling the book "a brilliant piece of writing, with hardly a wasted word or a jarring note anywhere." Still, he couldn't help but lament the society that would make such a book a best seller and worried aloud that "if such books should definitely acclimatize themselves in England, instead of being merely a half-understood import from America, there would be good grounds for dismay."

The book was deemed so violent at the time as to be considered unfilmable but by 1942 it had already been adapted into a play which successfully toured Britain for several years, and by 1948 it had indeed been made into a film, causing much public outrage and drawing criticism from all corners, including from future prime minister Harold Wilson, who memorably got up on his hind legs at a film industry function to declare -- to much applause -- that he was glad there were "no Oscars for Miss Blandish." The brouhaha supposedly killed the career of many of those involved, including beloved actor Linden Travers (who played Miss Blandish) and the director St. John L Clowes. Even now, the film is rarely shown on television, and has only recently become available on a British DVD.

And the 1971 American remake, The Grissom Gang, starring Kim Darby, is supposedly even slimier, although that version, directed by Robert "Kiss Me Deadly" Aldrich and starring Kim Darby, Irene Dailey, Tony Musante, Connie Stevens, Robert Lansing and Ralph Waite, is a little easier to track down.

Like all Chase's series characters -- none of whom ever appeared in more than two or three novels -- Dave (and his perky, playful secretary Paula) only appeared in one other novel, 1940's Twelve Chinks and a Woman. But if that still isn't enough, the prolific Chase offered a slew of other private eyes and the like, including Bart Anderson, Floyd Jackson, Vic Malloy, Nelson Ryan and Dirk Wallace. Almost all of his work was set in the U.S.A., although Chase himself only made two brief visits to that country, and then only relatively late in his career. Instead, he relied on atlases, encyclopedias and slang dictionaries -- as well as other writers' novels.

THE EVIDENCE

UNDER OATH

NOVELS

OTHER BOOKS OF INTEREST

PLAYS

FILMS

RELATED LINKS

Respectfully submitted by Kevin Burton Smith.


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