Jim Rockford
Created By Roy Huggins And Stephen J. Cannell

"This is Jim Rockford. At the tone, leave your name and number. I'll get back to you."

So began each weekly episode of The Rockford Files, certainly the best private eye series to ever grace the television screen, and arguably one of the greatest private eyes of all time. In fact, by the time CBS was promoting one of the made-for-television movies, ol' Jimbo was being called "America's favorite private eye." Not bad for a guy who would probably still rather go fishing.

Just as co-creator Roy Huggins fooled around with the conventions of the western genre in his classic TVseries Maverick, so did he wreak havoc on the P.I. genre with The Rockford Files Where other gumshoes were courageous loners fighting for justice and honour, obsessed with discovering the truth, JIM ROCKFORD was a semi-cowardly con artist with a gift for gab who would rather go fishing. And he was always being nagged by his father to get a real job. He kept his gun in a coffee can ("I don't shoot it, I just point it").

He kept a small press in the backseat of his car to print instant business cards to go with his numerous aliases and scams. He lived in a house trailer on the beach, first at 2354 Pacific Coast Highway in LA, and later at 29 Cove Road in Malibu (and thus set the precedent for "cute' living arrangements for TV eyes -- blame Magnum's mansion and Spenser's firehouse on him)). He was a Korean War vet who'd served five years of a twenty year sentence at San Quentin, before the discovery of new evidence earned him a full pardon. Upon his release, he set up shop as a P.I., originally only taking cases the police had given up on.

But what really set Rockford apart was his large circle of friends and associates, each as finely etched and endearing as Rockford was. They weren't a bunch of only-on-television self-consciously quirky "types" -- they were real people whose eccentricities were an offshoot of their characters, not a add-on dreamed up by a committee.

Jim and RockyOf course, there was his dad, Rocky, a crusty semi-retired trucker, always worrying. The warm relationship between father and son was one of the foundations of the show, and has become a running theme through many of Cannell's later series.

Jim's lawyer, and on again/off again love interest Beth Davenport appeared for the first four seasons, offering Jim advice and, often, cases he would have run screaming from had she not been there to cajole him.

Constantly beleagured LAPD Sergeant (later Lieutenant) Dennis Becker was the mandatory police contact, but his friendship with Jim was more than a token, never-seen allusion. There was no doubt they were friends, arguing, fighting, but ultimately true pals. Actor Joe Santos has since appeared in about a million movies and TV shows, almost always as a cop, it seems.

And then there's Angel, Jim's former cellmate, always on the con, constantly scheming, looking for the perpetual big score which inevitably blows up in his face, played to weasel-like perfection by Stuart Margolin. Cowardly (he makes Jim look like Hercules), venal, selfish, without any redeeming qualities to speak of except, perhaps, his overpowering drive to survive, a suckerfish trying to swim with the sharks, Jim nonetheless remains loyal to him throughout the series. Margolin, a talented actor/director, lurked around Hollywood for a few years after Rockford finished, but after eventually pulled up stakes and moved to British Columbia, where he went on to star in another memorable -- if far less successful -- private eye series, the CBC's Mom P.I..

But Angel wasn't the only friend Rockford remained loyal to throughout the series: Isaac Hayes, for example, appeared three times as tough-talking and hot-tempered Gandolph Fitch, the one-time "Hammer of C Block," who never could get Rockford's name right; John, former outlaw biker turned criminal lawyer, who replaced Beth as Jim's lawyer and Meghan, a blind psychologist, fiercely independant, and, it seemed for a while, Jim's one true love.

Another notable recurring guest was streetwise hooker Rita Capkovic, determine to go straight, who came to Rockford for help three times. Actress Rita Moreno won an Emmy for the character's first appearance, "The Paper Palace" (Jan. 20, 1978).

As well, a goodly number of fellow private eyes, each one of them stranger than the last, kept crossing Rockford's path. As Huggins' MAVERICK had done for the classic western, The Rockford Files regularly turned and twisted the conventions of the PI story back upon themselves to point up some of the absurdities behind the genre's assumptions. These guest investigators were ideal for just that purpose.

The most prominent of this bunch was Richie Brockelman, played by Dennis Dugan. Brockelman was an eager novice investigator and the character actually took over the Rockford time slot for his own five-episode series in the spring of 1978. That show wasn't strictly a Rockford spin-off, however, since Richie was first introduced in a 1976 two-hour movie. His first appearance on The Rockford Files, "The House on Willis Avenue" (February 24, 1978), was primarily intended to build an audience for the Richie Brockelman, Private Eye series. Obviously, that didn't work out, but Brockelman returned for a second appearance, "Never Send a Boy King To Do a Man's Job" (March 3, 1979).

But the most memorable P.I. to visit the show was undoubtedly Lance White, the rich, elegant, and flawless male model private eye; the walking cliche who drove Rockford crazy. White debuted in "White on White and Nearly Perfect" (Oct. 20, 1978) and made a comeback in "Nice Guys Finish Dead" (Nov. 16, 1979). This latter took place at a private eyes' awards dinner, and is a real hoot. The relatively unknown actor who did such a fine comic turn as White proved to have a future in the TV PI business-- his name was Tom Selleck. He starred in MAGNUM P.I., a show that owed more than a little to The Rockford Files, although it's always seemed to me that Thomas Magnum was essentially Lance White without the wink.

The Rockford Files wasn't perfect, mind you. The plots often centered around intricate conspiracies and were often just too damned convoluted and confusing to be satisfactorily resolved within an hour-long TV program, resulting in some occasionally jaw-dropping, head-spinning wrap-ups. And other shows were padded out by a few too many car chases. Still, it should be said that even the occasional wham-bam endings and car chases were typically clever and well-done, a definite cut above the rest. And hey, it's better to reach high and fail than to succeed at being mediocre, and if James Garner liked cars and wanted car chases, well, that seemed like a small price to pay in exchange for arguably the best private eye series to ever air.

THE RETURN OF ROCKFORD

In 1995, CBS brought back Rockford in a string of eight made-for-television movies that managed to capture much of the charm, if not the energy, of the original series. Alas, Noah Beery Jr., who played Jim's caring, overly-protective truck-driver dad, Rocky, was missing, having passed away before production began. In fact, the first, 1994's I Still Love L.A., was dedicated to his memory, a decidedly classy touch.

Then again, Rockford has always had his priorities straight. The simple pleasures of friendship and family are what he has always been about. Oh and a little fishing. By the time Rockford was revived in the nineties, James Garner was getting a tad long in the tooth. But, to their credit, the writers and directors never let us forget it. In each of the films, the passage of time became a major plot hook. The past always came calling, usually in the guise of old pals in trouble, and Rockford, with an exasperated sigh, a grimace and a grunt, would once more try to help them out.

This was honest television, done with sensitivity and style. Rockford was upfront about his age, and his limitations. And with so many great actors reprising their original roles, there was a warm sense of homecoming about the whole affair. Over the course of the films, we caught up with most of the old crew: Dennis, Rita, Beth, and of course, Angel. No surprise, I guess: loyalty means something to Rockford.
The Rockford movies may also have been the first time we've seen an elderly version of a private eye we already knew and loved. Fortunately, our memories of the original show were treated with dignity and respect, a true rarity when it comes to TV "revivals." A true class act.

In 1996, Forge published The Green Bottle, an original Rockford novel, set in the nineties, by Stuart Kaminsky, author of the Toby Peters series. An admirable job, Kaminsky pulls it off admirably, allowing us to get into Jim's head, through first person narration. Turns out Rockford is as appealing a character inside, cranky but easy-going, as he is outside. A follow-up novel, Devil On My Doorstep, was released in 1998.

Huggins also created private eye Stuart Bailey, whom he later adapted for television in 77 Sunset Strip. His protege, Stephen J. Cannell went on to create/produce Tenspeed and Brownshoe, Sonny Spoon, City of Angels, 21 Jump Street, Riptide, Hardcastle and McCormick, etc., etc., etc.

BURNING QUESTION

OKAY, I SURRENDER...

FROM THE PEANUT GALLERY

THE EVIDENCE

TELEVISION

............

THE ROCKFORD FILES: TV Movies
(1994-99, CBS)
Starring James Garner as JIM ROCKFORD
Also starring
Stuart Margolin, Joe Santos

NOVELIZATIONS

NOVELS

NON-FICTION

RELATED LINKS

Respectfully submitted by Kevin Burton Smith. Thanks to our good buddy Bluefox808 for his help here.


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