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Veronica Mars

Created by Rob Thomas

“A teenaged private eye. Trust me. I know how dumb that sounds.”
Veronica‘s first lines in the 2014 film.

VERONICA MARS was a seventeen year-old who helped her private eye dad solve cases on a UPN drama that made its debut during the 2004-05 schedule. And despite my initial pessimism it didn’t totally suck. In fact, to my pleasant surprise, it didn’t even partially suck. It was entertaining and smart, and it managed to stick around — without sucking —  for two more seasons, becoming a cult favourite — at least among smarter millennials (and grown-ups willing to give it a chance), whose status has only grown over the years.

The show was set in the snooty seaside community of Neptune, California, where the rich and powerful more or less owned the town, and would definitely prefer that their dirty little secrets remain secret. Imagine Peyton Place with beaches, and a lot of really good-looking teenagers.

Yep, that’s right — despite the promo spot’s hints at “grit,” Veronica Mars looked — particularly at first glance — suspiciously like a teen soap, along the lines of 90210 or Dawson’s Creek, another orgy of adolescent angst, with just a dash of the detective lite tossed in for flavor.

But it turned out to be something very different. Precocious Veronica wanted to be a detective just like dear old dad, who was the town’s sheriff until a scandal forced him to resign. Helping out is fellow high school misfit Wallace Fennel and a biker gang known as the P.C.H. Bike Club Boys. Needless to say, clearing her father’s name got top priority in Veronica’s book, though she’d also like to know who murdered Lilly Kane, her best friend, and find out where her mother disappeared to.

I was torn about this one, at first. On the surface, it sounded dreadful, but damn if it didn’t hook me from the first episode. In fact, it was actually often very compelling, with a nice noirish (or at least noirish for television) aftertaste. Each episode-length, self-contained mini-mystery (Who rigged the student elections? Who stole her friend’s car?) was usually satisfyingly resolved, while the over-riding, season-length story arc regarding her mom’s disappearance and Lilly’s murder (and the season-end solution) was handled deftly, and wrapped up all the complicated red herrings and twisted familial relationships with the sort of emotional pay-off one usually expected of a Ross Macdonald novel. And series creator and writer Rob Thomas gave us (and Veronica) a whole new spin on being a wiseass, replacing Marlowe‘s middle-aged, world-weary bruised romanticism with razor-edged teenage snark.

Who knows? It might have turned a whole generation onto the detective genre. Or scared them away for life.

Despite its piss-poor ratings for the first season, UPN took a chance on a second season (the over-riding story arc this time had Veronica and her father delving into a tragic school bus “accident”) and was successful enough to spawn a third season on the new CW network, with Veronica heading off to college.

And that was that. Three seasons and out.

Except fans, the cast and the creator, Rob Thomas, all wanted more. And so a Kickstarter campaign was launched, in an attempt to finance a feature film. And damn if it didn’t work. The film made its debut in March 2014, after busting pretty much every record Kickstarter had ever had, and Veronica Mars (2014, Warner Bros/Spondoolie Productions/Rob Thomas Productions) did quite nicely at the box office, as a digital release and as a DVD and Blu-Ray, thankyouverymuch.

Sure, it played to nostalgia, reuniting pretty much the entire cast and crew, slipping in some crowd-pleasing cameos, and not really pushing anything along too much, but if it pleased the fans, well, hell, they paid for it.

THE LATEST

Even better, though, it let the world know that Ms. Mars still had her mojo. A couple of original novels (written by Rob Thomas and Jennifer Graham) were released in 2014 in the months after the debut of the film, and best of all, in 2018, it was announced that Hulu would be streaming an eight-episode limited series in 2019, with most of the original cast back in the saddle as well as series creator Rob Thomas in the writers’ room. Among those joining him will be (allegedly) Kareem Abdul-Jabbar, author of two well-received Sherlock Holmes pastiches. Joining the cast will be J.K. Simmons and Patton Oswalt. This time out, Veronica will be investigating the murders of spring breakers in her hometown of Neptune, California. The show streamed on Hulu in the States and Crave in Canada.

And apparently there may be more, if Kristen Bell has her way. “I will keep doing Veronica Mars until everyone in Neptune is dead,” she promised/threatened in a recent interview.

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Respectfully submitted by Kevin Burton Smith. Thanks to Rachel Crane and Paul Guyot for the latest.

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