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Jack Shannon (Shannon’s Deal)

Created by John Sayles

Dear Sir,

Just a thought, but if Perry Mason makes your list of detectives shouldn’t Jack Shannon of the show Shannon’s Deal be there as well? Certainly less well-known, but his show had a definite hard-boiled feel to it. Right down to the small office with the loyal secretary. Most of Shannon’s work was not in the courtroom but on the streets.

Dan Delgado

Well, when they’re right, they’re right.

JACK SHANNON was a successful corporate lawyer, a workaholic at Coleman & Weiss, a big, muckety-muck Philadelphia law firm. Unfortunately, he wasn’t as successful when it came to his compulsive gambling habit. It cost him his wife, his daughter and eventually his job, and although he tries to be a good dad (don’t they all?), there’s no doubt that his professional career is on the skids.

So he decides to set up shop as a general practitioner of law, complete with a tiny, cramped office, a loyal–if part-time–Cuban-American secretary, Lucy Acosta (Shannon helped spring her boyfriend from jail), and a rather colorful investigator in the person of Wilmer Slade, a self-educated motormouth who just happens to be an enforcer for one of the many shylocks to whom Jack is in debt.

With Wilmer’s help, Shannon takes a decidedly hands-on approach to his work. In fact, although he swears he’s given up gambling, Shannon continues to use his skill as a cardplayer to help him work out his cases, and isn’t above running a little scam every now and then–anything, in fact, to avoid having to go to court.

So don’t go expecting some fiery Perry Mason courtroom showdown–Shannon would rather strike a deal with opposing counsel, scam the DA into dropping charges, or otherwise work the system on his clients’ behalf.

Originally a two-hour pilot that aired in 1989, Shannon’s Deal was written by acclaimed indie film writer/director John Sayles (Matewan, Eight Men Out, etc.), and starred the under-appreciated Jamey Sheridan as Shannon. When the show was spun off into a series , Sayles even directed one of the episodes, and had a cameo in the “Words to Music” premiere, playing a jealous boyfriend who gets into a confrontation with Shannon.

Shannon was a likable fuck-up, a complex but sympathetic character struggling, as much as anything, to rebuild his life and regain his daughter’s love and trust, all the while doing his best to resist temptation. Alas, good writing, intelligent scripts, a suitably dressed down, hard-boiled tone, some strong acting, an engaging cast, a great “Ellingtonian” jazz theme by Wynton Marsalis, and even a 1990 Edgar for “Best Television Feature or Miniseries” weren’t enough to save Shannon’s Deal, and the show folded after just thirteen episodes, spread thinly over two “seasons.”

THE EVIDENCE

UNDER OATH

HIDDEN TRACKS

TELEVISION

THE DICK OF THE DAY

Report respectfully submitted by Kevin Burton Smith, thanks to a lead from Dan Delgado.

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