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“The Kid” (City Streets)

Created by Dashiell Hammett
(1894-1961)

The almost forgotten City Streets (Paramount, 1931) was one of the few Dashiell Hammett stories written expressly to be adapted to film (a couple of Thin Man films were also in that group), and as such probably deserves our attention, even if it isn’t a private eye tale. I’ve no idea if the pre-code film itself is actually worth digging up or not, but who knows?

There’s some good camera work, supposedly, and a guy gets stabbed with a fork. And Carl Macek, in Film Noir: An Encyclopedic Reference to the American Style (1980), calls it “an unusually decadent and stylish gangster film,”  while Al Capone allegedly loved it, deeming it an accurate portrayal of the gangster life.

So…  not a private eye tale, but it does star Gary Cooper as “THE KID, a laidback, hick carny working the shooting gallery racket at a traveling fair. Nan, the daughter of beer racketeer Pop Cooley, falls for him in a big way despite his lack of interest in joining daddy’s business and supporting her in the lifestyle she’s accustomed to. But, when daddy dearest frames her on a murder beef, and she’s sent to prison, Nan’s attitude changes.

Ya think?

While Nan’s whiling away her time in the big house, her father cons the Kid, who’s more than handy with a gun, into joining the gang in order to help free her, only to have the Kid end up running the gang. But when Nan is sprung, she wants nothing more to do with the mob and tries to get the Kid to quit.

UNDER OATH

FILMS

Respectfully submitted by Kevin Burton Smith.

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