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Virgil Cole & Everett Hitch

Created by Robert B. Parker
(1932-2010)

It could be argued — and given a beer or two, I would — that town-taming gunslingers VIRGIL COLE and EVERETT HITCH are private eyes in deed, if not in name. Roaming the old West in the last part of the nineteenth century, essentially serving as lawmen-for-hire, there are at least as many echoes of Hammett and Chandler (and of course Spenser) as there are of Grey or L’Amour. And certainly there are precedents for town-taming in the hard-boiled canon. After all, what do you think Red Harvest was, but a gussied-up western?

Taciturn and pragmatic, violent when necessary and hard-boiled and loyal to a fault, the stoic Cole and the only slightly less tight-lipped narrator (and buffalo-gun-wielding deputy) Hitch are like a horse opera Spenser and Hawk, but without the glib banter, replaced by a dry dustiness of mutual respect and trust in books that feel as wide-open as the West itself, that makes reading them a unique pleasure — and one any hard-boiled fan (and certainly any Parker fan) might well enjoy, despite the trappings. There’s space in these books to allow a reader to breathe, and enjoy Parker’s usual obsessions, of honour and loyalty, of friendship and love, of autonomy and morality and even, yes, romantic love.

Suffice it to say that Allie French, the piano-pounding tramp whom Virgil chases across the West, is no Susan Silverman.

Part of Parker’s late career boom, he only wrote four Cole and Hitch novels, but I’m guessing he was pretty happy to see the first novel, Appaloosa (2005) adapted successfully to the big screen in 2008, starring Viggo Mortensen and Ed Harris (who also directed) as Hitch and Cole respectively. It was nothing less than something Spenser himself would have heartily approved of: a good old-fashioned, rootin’-tootin’, pass-the-popcorn western.

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Respectfully submitted by Kevin Burton Smith.

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