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77 Sunset Strip (Stuart Bailey, Jeff Spencer, Rex Randolph and “Kookie”)

Created by Roy Huggins
(1914-2002)

“Kookie, Kookie, lend me your comb!”

Private eye STUART BAILEY was originally (and intentionally) quite a Chandleresque fellow, trudging through the mean streets of Los Angeles alone, carrying the weight of the world along with him in The Double Take, a quite satisfying 1946 P.I. novel by Roy Huggins. He even appeared in a pretty decent little film noir from 1948, I Love Trouble, starring Franchot Tone as Bailey, alongside Janet Blair and a well-rounded cast of crime flick vets, including Raymond Burr in a bit part.

But Huggins — and Warner Brothers — had bigger ambitions, and Stuart Bailey was sent back for a makeover.

He emerged with a fluency in foreign languages, a past as a government agent, a slick wardrobe, a slick office, and a partner, JEFF SPENCER, when Huggins adapted him for television’s 77 Sunset Strip, TV’s first hour-long private eye show and — simply put — one of the the most influential private eye television shows in history.

Spencer was also a former government agent, and a non-practising attorney. They worked out of swank digs at 77 Sunset Strip (right next door to Dino’s Restaurant) where French secretary Suzanne handled the phones. Hanging around for comic relief were racetrack tout Roscoe, and hair-combing, parking lot attendant and beatnik P.I. wanna-be KOOKIE. As played by Edd Byrnes, Kookie went from bit-part car hop to teenage sensation. So much for Huggin’s hopes for a straight P.I. series. Hardboiled drama was out and the gimmicks were in.

The audience lapped it up. Comb sales soared. Kookiemania descended upon the land.

And then the Warner Brothers hit factory started churning out copy cat versions of the show, all following the formula of two handsome male leads, a good-looking wanna-be, a pretty (but slightly ditzy) secretary, and a buffoon, with William Orr, Warner Brothers’ first television producer, at the controls. Hawaiian Eye, Bourbon Street Beat, and Surfside 6 all appeared within the next year or so, and the formula was soon also grafted onto non-P.I. shows such as The Islanders (an adventure series about two charter pilots in the tropics) and The Roaring Twenties (a newspaper drama). And Warners wasn’t the only culprit — the syndicated show, The Brothers Brannagan (1960), featuring two handsome dudes as brother P.I.s, was at least as faitfhul a copy of the formula as anything Warners put out.

Alas, not all the clones survived. The first copy, and the least successful, Bourbon Street Beat, crashed and burned within a year. But New Orleans gumshoe Rex Randolph soon found new — albeit temporary– employment, joining the Sunset Strip crew for the 1960 season.

But you can only milk a formula so long, and soon only 77 Sunset Strip remained, but even its ratings were starting to slip. In its sixth and final season, everyone but Zimbalist was sent packing. Jack Webb was brought in as executive producer and William Conrad as a producer/director. Bailey became a solo P.I., and there was no mention made of Jeff, Suzanne, Kookie or Roscoe. Or—except for the show’s title—the address itself.  Bailey’s new office was purportedly still at the same old address (how else to explain the show’s title?), but it was actually filmed in the historic Bradbury Building in downtown Los Angeles, miles away. They continued to tinker with show, adding a secretary, a love interest, taking out some of the humour, putting it back, changing the theme song and the opening credits at one point , but all to no avail—the show was canceled halfway through the season.

A sad end for a very influential show. Sure, it was incredibly cheesy at times, but it was also often quite entertaining. A true cult favourite. Back in 2001, there was even a rumour that a big-screen version, starring Harrison Ford, Leonardo DiCaprio and Bill Murray, would begin filming in Hawaii and Alaska soon, although the idea soon panned out.

AN INSIDE JOB?

TRIVIA

FROM THE PEANUT GALLERY

TELEVISION

SHORT STORIES

COMIC BOOKS

 

KA-CHING!

 

Anyone doubting the popularity of 77 Sunset Strip or “Kookiemania” has only to check out the attempts to cash in. Besides the comic books, there were games, paperback tie-ins, toys, soundtrack albums and even a Kookie Christmas single back in the day. And model cars, CDs and the like are still being manufactured for the lucrative nostalgia market. Which is why it’s so surprising that Warner Bros. stubbornly refused to release the show on DVD or Blu-Ray. And now that the video market is dying, and fans who remember the show fondly not far behind, it’s unlikely

FURTHER INVESTIGATION

Respectfully submitted by Kevin Burton Smith. Thanks to Dick Martin for some of the info on this page.

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