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Vicki Anderson/Catherine Banning

Created by Alan Trustman

VICKI ANDERSON is the hotshot insurance dick called in to investigate a high-stakes Boston bank heist in Norman Jewison’s über-stylish romantic suspense thriller The Thomas Crown Affair (1968 ). She soon finds herself pitted, both romantically and professionally, against the caper’s mastermind, successful but bored multi-millionaire Thomas Crown, played by Steve McQueen with, as always, scenery-chewing stone-cold precision.

Vicki, meanwhile, is a strange combination of ditzy charm and cold ruthlessness, willing to break the law in jaw-dropping fashion one moment, just to crack the case, and then seemingly willing to risk it all in the next round of pillow talk with Crown.

The film is not so much a traditional private eye story (it’s more about seduction than deduction), but a battle of wills, between two main characters bent on domination (sexual and otherwise); an edgy erotic game of cat and mouse. The burning question becomes “How do you get the man who has everything?”

The frank sexual politics and the tease-and-release played out between Dunaway and McQueen garnered the film an ooh-la-la “R” back in 1968, while the cinematography by Haskell Wexler and the colliding viewpoints exemplified by the split-screen techniques must have all seemed quite cutting edge and shocking. In fact, they still pack quite a wallop now, although they do sometimes seem dated. And those hats of Dunaway’s? The film’s further marred by one of the most cloying, annoying and seemingly inescapable theme songs of the sixties: Michel Legrand’s look-at-me-I’m-so-sensitive, wheezy, cheesy “Windmills of Your Mind.” Still, the film itself is a true original, sleek and stylish, and well worth seeing. Recommended.

In 1999 a remake was released, directed by John McTiernan, with some substantial changes to the original. But the icy tone is still there, while the oooh-so-sixties cool of the original is replaced with some real heat, as Pierce Brosnan (now in the lead as the zillionaire art thief) tangles with Rene Russo (as the high-flying insurance dick out to nail him). Although, for some reason, her character was re-named CATHERINE BANNING. Go figure.

Faye Dunaway even makes a cameo (a nice touch), as a psychiatrist, and Sting tries real hard to sell it, but “Windmills of Your Mind” still sucks. I mean, really, does anyone actually like this song? Lyrically and musically, it makes me think of a punctured accordion–no matter who sings it.

But once again, the film is well worth seeing, and some even prefer it to the original. An intelligent and honourable remake, something of a rarity in Hollywood. It may not surpass the original, but it definitely doesn’t make me want to gouge my eyes out with a grapefruit spoon.

UNDER OATH

FILMS

THE DICK OF THE DAY

  • May 13, 2021
    THE BOTTOM LINE: THE THOMAS CROWN AFFAIR #1 or #2. Which do you prefer?
Report respectfully submitted by Kevin Burton Smith.

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