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Ben Jardinn

Created by Raoul Whitfield
Pseudonyms include Ramon Decolta and Temple Field
(1896-1945)

“I’m after a killer, man or woman. It’s my business. I’ll take your money…I’ll take anyone’s money, if I can give something for it. This isn’t a hobby with me. I don’t work in a library, or go into trances. I don’t dope out involved codes. And I don’t bother too much with the D.A.’s office or the harness bulls.”
Jardinn, staking his turf

One of the all-time great hard-boiled eyes!

BEN JARDINN first appeared in the pages of Black Mask in 1928,  in a pretty much forgotten six-part serial that would only be collected as Border Brand and published almost 100 years later.

But three later short stories, also published in Black Mask and printed as Death in a Bowl in 1931 is generally considered one of the all-time great P.I. novels, and you won’t get much argument from me. It’s pretty much the stuff that hard-boiled dreams are made of. Jardinn was also, as far as I can tell, the very first of the Hollywood dicks.

Ben’s runs a small detective agency on Los Angeles’ Hollywood Boulevard, a couple of blocks from Grauman’s Chinese Theatre. He’s a pretty tough, cynical son of a bitch, “cold as hell,” and hard through and through, although he does seem to have a soft spot for “Irish,” the nickname he’s given his head secretary/receptionist, Carol Torney. He likes her almost as much as he likes money. But doesn’t quite trust her.

There’s some great period detail, and some intriguing behind-the-scenes peeks at the movie industry, when Jardinn’s hired by both the screenwriter and director of a film being made, but the real treat is the murder of the director’s brother, who’s shot while conducting a symphony at the Hollywood Bowl–in front of 20,000 witnesses. It’s all complicated, and convoluted, but Jardinn may be just the man to cut through all the lies.

He suspects everyone and trusts no one, even his own employeees. He may have been a cop once — he certainly seems to know a lot of people on the force. He may occasionally seem soft-spoken, and may even display an unexpected fondness for classical music (although he admits he doesn’t “know much about it”) but make no mistake — Jardinn’s the real deal.

As is his creator, pulpster Raoul Falconia Whitfield (1896-1945), often considered one of the truly great Black Mask boys. Only a fraction behind such contemporaries as his drinking buddy Hammett, or Chandler. Whitfield also created disgraced spy/ eye Donald Free, and, under the pen name of Ramon DeCorta, Island detective Jo Gar. Born to a well-to-do family in New York, he spent much of his childhood in the Philippines where his father was a senior civil servant. Returning to the States due to an illness in 1916, he tried to find work as a movie actor, but when war beckoned, he joined the air force and became a pilot during World War I. Post war, he worked as a reporter for the Pittsburgh Post before moving to Florida and taking up writing full time. During the twenties he became one of Cap Shaw‘s boys at Black Mask, and  became drinking buddies with another of the writers, Dashiell Hammett. He was a prolific short story writer in this period, with many of the stories featuring aviation themes or Far Eastern locales. In the thirties he turned to writing novels, but his output stopped when he married his second wife, Emily Vanderbilt Thayer. He died in 1945 of tuberculosis.

EVIDENCE

UNDER OATH

SHORT STORIES

NOVELS

BULLSHIT ALERT

FURTHER INVESTIGATION

Respectfully submitted by Kevin Burton Smith, with a special thanks to Jim Doherty for his help.

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