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Mike Longstreet

Developed for television by Stirling Silliphant
From a character created by Baynard Kendricks

The seventies were truly the Golden Age of the TV Dick, when the airwaves were saturated with private eyes and cops of all sizes and shapes. There were so many of them that the nightly barrage of murder and mayhem began to blur, and it didn’t take long for writers and producers to saddle their sleuths with various gimmicks, all the better to separate their detectives from the rest of the ever-increasing herd. And so there were fat dicks, bald dicks, wheelchair-bound dicks, rough’n’tumble dicks, Polish dicks, black dicks, old dicks and even chick dicks.

MIKE LONGSTREET, the hero of Longstreet (1971-1972, ABC), had a gimmick, too — he was blind. He lost both his wife and his eyesight in a bomb blast meant to kill him. But Longstreet refused to give in, or to be less than what he was — the best damn insurance investigator in New Orleans. Along with — and often over the objections of — his secretary/assistant Nikki and his best friend and former boss Duke Paige (head of investigations for a major insurance company in the Gulf Coast) Mike persevered in an occupation usually reserved for sighted people.

The premise is pretty goofy — I mean, really. A blind private investigator? But anyone familiar with Sterling Silliphant productions knows his style was aimed at showing viewers a slice of life they normally wouldn’t see. This time, we “saw” it through Longstreet’s other senses.

Granted, Mike wasn’t your typical blind person. Okay, he wasn’t Daredevil, but Mike trained himself to rely heavily on his remaining senses, noticing sounds, textures, scents, and tastes others might overlook. As sort of a mutant kid myself, I thought that was pretty cool.

But his real strength lay in his understanding of human nature, which made him one hell of a detective.

And that was the show’s ace in the hole. For all the detective derring do, what was most fascinating about the show was Mike himself. Franciscus brought a lot of depth and humanity to the role, which could have so easily descended into schtick (see Monk). His Longstreet was a smart, intelligent man; a multi-faceted survivor trying as best as he could to rise above his disability and retain some pride and autonomy.

Mind you, he also had some pretty good scripts to work with (having ace performer Howard Browne around as “story consultant” might have helped with that), and a decent cast.

Bruce Lee, still a relative unknown at the time, guest starred in the very first episode, “The Way of the Intercepting Fist,” as Li Tsung, an antique dealer and parttime martial arts instructor who teaches Mike the art of Jeet Kune Do in order to defend himself, and move past “accepting” his “condition.” Lee returned for three more episodes.

The premise was only loosely based on Baynard Kendrick’s Captain Duncan Maclain, although Kendrick’s was credited in every episode.

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Respectfully submitted by Kevin Burton Smith. The illustration was part of a press package prepared by ABC and sent out to promote the series.

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