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Robert McCall (The Equalizer)

Created by Michael Sloan and Richard Lindheim

Got a problem?
Odds against you?
Call the Equalizer. 212-555-4200.

Sort of an update of the old TV western Have Gun, Will Travel. Need justice? Wire McCall, Manhattan.

That was the premise of The Equalizer, which ran on CBS from 1985 to 1989. Cynical, disillusioned and guilt-ridden, former secret agent ROBERT McCALL took an early retirement, disgusted by the treachery and hypocrisy of his profession. Not hurting for money, he decides to set himself up as a private detective and a one-man “equalizer”, dedicating himself to helping people who really need it, as penance for his previous life. His turf may be the garbage-strewn, grafitti-laden streets and subways of New York City (in all its 1980s glory), but he works out of a swanky Manhattan apartment, drives a Jag, dresses immaculately, and solicits clients through the classified sections of local papers. His background in espionage, detective and bodyguard work stands him in good stead. He sometimes enlists the aid of his former Agency boss, known only as Control. Also occasionally lending a hand, or getting in the way, are Mayer, his sometime assistant; Scott, his impulsive son; Pete O’Phelan, a former female colleague and current owner of a small cafe, and a slew of police contacts.

Basically, it was a revenge fantasy. McCall could be cold-bloodedly efficient, as relentless and single-minded as a shark. And often, just as deadly. More often than not, the real equalizer was his gun. Still, perhaps in response to the criticism levelled at the TV show’s violence, McCall often displayed some surprising bouts of compassion. And, despite some uneven writing, Edward Woodward, as McCall, was always compelling to watch; an icy blend of sang froid effectiveness and frosty pragmatism.

The idea of someone running a vengeance-for-hire business, catering to those who have nowhere else to turn, has been attempted several times since on television, most notably with the exceedingly lame Dellaventura and the far superior, blackly humorous Vengeance Unlimited, which featured a McCall-like figure who enjoyed his work just a bit too much. But none ever matched the level of cold-blooded efficiency that The Equalizer occasionally reached.

A show very much of its time.

LET’S GO TO THE MOVIES!

It was announced in early 2007 that real deal crime writers Terrill Lee Lankford and Michael Connelly were writing a screenplay for a big budget update of the series. The Weinstein Company and Mace Newfeld Productions were set to produce. That all fell through, though, because by December 2013 it had been replaced by a new production, written by Richard Wenk, with Alex Siskind and Escape Artists producing, and Denzel Washington to star as the guilt-ridden British secret agent trying to atone for past sins.

Uh, Denzel?

Apparently it was no joke. The Equalizer made its bloody and violent big screen debut in September 2014, with TV’s classy Brit ex-spy turned avenger-for-hire replaced by an ex-CIA agent turned Home Depot worker and Pip (as in Gladys Knight and the Pips) impersonator played by Washington. Just another dumb, standard action flick fare–any dumber and it would have starred Bruce Wills. But the surprising amount of brutally sadistic violence (power tools were involved) was something else again.

So naturally it was a hit, and a few years later, there was a sequel: the even more violent but creatively titled The Equalizer 2, wherein McCall (the economy being what it is) is now a Lyft driver who eventually ends up in Europe to wreak bloody havoc and avenge the death of his old handler. And then another, in 2023, even more violent. Relief, though, may be in hand. The posters for The Equalizer 3 urge moviegoers to “Witness the Final Chapter.”One can only hope.

Washington can be a great actor, and he’s won or been nominated for a slew of Oscars over his long career. None of them, however, were for his work in the Equalizer movies.

AND THEN…

In 2021, CBS decided to re-imagine The Equalizer once more, with Queen Latifah stepping into the role as ROBYN McCALL.

ABOUT THE AUTHORS

Richard Lindheim is a writer and producer, known for The EqualizerB.J. and the Bear  and The Misadventures of Sheriff Lobo, while Michael Sloan, also a writer and producer, also wrote for those shows, as well as McCloud, Simon & SimonColumbo, Quincy M.E.The Six Million Dollar Man and the Bionic Woman, Mystery WomanBaywatchHarry OAlfred Hitchcock Presents, The Devlin ConnectionKung Fu: The Legend Continues and The Hardy Boys and Nancy Drew Mysteries.

HELP WANTED

TELEVISION

 

FILMS

NOVELIZATIONS

NOVELS

Respectfully submitted by Kevin Burton Smith. Thanks, Belinda.

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