Site icon The Thrilling Detective Web Site

Richard Diamond

Created by Blake Edwards
(1922-2010)

“Diamond Detective Agency. A pleasant smile, a cheerful rhyme, and we’ll keep you from doing time.”
— Diamond answers his own phone.

Babyfaced Dick Powell was considered pretty much a lightweight song-and-dance man until his rebirth as a movie tough guy in Murder My Sweet (1944, RKO), where he played Raymond Chandler’s Philip Marlowe.

The film was a hit (and I’ll gladly argue that Powell was the screen’s best Marlowe ever), and Powell never looked back, parlaying his new hard-boiled guy persona into several detective flicks after that (including Pitfall, Cornered and Johnny O’Clock) and a short-lived radio show, Rogue’s Gallery (1944, NBC) before striking gold with another radio show, Richard Diamond, Private Detective, created by Blake Edwards, that utilized both sides of his career.

The show went on the air in 1949,  a frothy blend of comedy, detective drama and romance, and Powell became RICHARD DIAMOND, “radio’s singing gumshoe”, an ex-OSS man turned New York City private detective who was tough when he needed to be, but tried to have a little fun while on the job.

Too much fun, perhaps, according to some. He was something of a smart ass, and a little too fond of his own wit, but somehow Powell always cracked the case, often at the expense of his cop buddies Lt. Levinson (Ed Begley, or Arthur Q. Bryan) and desk sergeant Otis (Wilms Herbert).

Still, he almost always found the time to close the show with a song to his uptown girlfriend, Helen (played by Virginia Gregg). She couldn’t help it — she loved  the big lug. The show was a hit, the first of many for writer/director Blake Edwards.

And then the beast called television beckoned. Already popular on radio, Richard Diamond, Private Detective seemed like a natural fit for the media. Only problem was that Powell had decided he was too busy (and a bit long in the tooth) — to star, and so became a producer, forming Four Star Productions.

Their first production? Richard Diamond, Private Detective, starring newcomer David Meyer (who changed his name to Janssen, at Powell’s suggestion) as adarker, more sombre Diamond. His character remained in New York, but the former OSS operative had become an ex-cop. But this was a far different show. The lightweight comedy of the radio show was long gone, replaced by an earnestness and moody seriousness that left little room for singing, even if Diamond had had somebody to sing to.

Diamond toughed it out in New York for two seasons, while the third season, much lighter in tone, had him relocating to Los Angeles where he finally gets a girlfriend, Karen (Barbara Bain), a spiffy 1959 DeSoto Fireflite convertible with a phone in it, and an answering service, run by Sam (played by Mary Tyler Moore’s legs). 77 Sunset Strip, which had made its debut just four months earlier, seems to have had a huge influence. And of course what every LA gumshoe really needs is an eccentric fading movie star as a client. In this case, former film queen Laura Renault (Hillary Brooke) filled the bill.

Alas, while the radio version had charm to spare, the television show struggled. Janssen showed potential as Diamond, giving him a downbeat, battered appeal that couldn’t quite save the often weak and even generic plots. The show did manage to hang on for four seasons, and is fondly remembered by those who saw it in its heyday, but it hasn’t aged well, and the gimmick of never seeing Sam’s face is what the show is chiefly remembered for these days.

It was a gimmick, for sure, but one that the producers of the show may have taken more seriously than they should have — when Moore outed herself as Sam, and posed in TV Guide modeling hosiery, she was promptly replaced by Roxane Brooks.

Still, Edwards, Moore and Janssen all went on to considerable success in television–Moore in sitcoms such as The Dick Van Dyke Show and The Mary Tyler Moore Show and Janssen in dramatic roles in shows like Roy Huggin’s The Fugitive and as a private eye once more in Howard Rodman’s Harry O, while Edwards went on to create Peter Gunn and the Pink Panther movies.

But Edwards must have had a real affection for the Shamus Game. He tried—but failed–to sell several P.I. series, including The Boston Terrier (about a Harvard-educated private eye played by Robert Vaughn), a TV version of radio’s insurance investigator Johnny Dollar (he of the action-packed expense account), Gus Monk (about a San Francisco gumshoe), The Ferret (with Robert Loggia playing a legendary anti-terrorist agent turned P.I., Justin Case (George Carlin as a ghost private eye), and a new version of Peter Gunn, starring Peter Strauss.

FROM THE PEANUT GALLERY

AND NOW, A REPORT FROM THE YOYEURS CLUB

THE INTERCONNECTEDNESS OF ALL THINGS

RADIO

TELEVISION

FURTHER INVESTIGATION

Respectfully submitted by Kevin Burton Smith. Thanks to The Episode Guides Page and The Digital Deli Too for helping to fill in the blanks. The ad below is from a September 1950 issue of LIFE Magazine.

 

Exit mobile version