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Mike Barnett (Man Against Crime)

Created by Lawrence Klee

Featured on both radio and television, MIKE BARNETT was a New York private eye so tough he didn’t need a gun. Take that, Hammer!

Along with Martin Kane, which made its debut only a few weeks earlier, Man Against Crime (1949-54) was part of a one-two punch that set the scene for a long, long string of television eyes. And Mike got around, popping up in New Orleans, Stockholm, Vienna, and Lisbon, among other locations.

The New York Times described him as “an average fellow, not too bright and not too dumb, quick-fisted, amiable and something of a modern Sir Galahad.” Whatever, the show was a hit, especially on the tube, where it won a national popularity poll as best mystery on television for its third year. The shows were done live for its first three seasons (good luck finding any of thodse episodes!), with all the usual problems that entailed–such as not quite fitting into its allotted time. They solved this by writing in an elastic “search scene” near the end of each episode, that could be stretched out or shortened to fit.

But eventually the big switch was made to film n the fall of 1952, giving the fight and chase scenes an added touch of authenticity.

In fact, action was the keyword. According to Television: A History, by Francis Wheen (London: Century Publishing, 1985), writers on the show were told that “somebody must be murdered, preferably early, with the threat of more violence to come…Bellamy must be menaced early and often.”

Bellamy looked the part — he was a tall, beefy guy, but he just came off as altogether too genial. Still, in the early days of television, just a little hard-boiled went a long way, and Man Against Crime was considered one of the most violent TV shows of its time.

And even today, the opening credits for the syndicated version, Follow That Man, can raise a few eyebrows. The noirish sequence featured a man being pursued down the empty mean streets of New York City, only to wind up at Barnett’s door–where he’s machine gunned by an unknown assailant off camera. Barnett opens the bullet-riddled door, puzzled, and then jumps back, just as the killer lets off another burst. It’s not exactly realistic, but it’s an unexpected bit of grit in the cream cheese of the era.

Ralph Bellamy played Barnett on both radio and television, and, in fact, played Barnett through its entire initial television run, giving it a consistency that Martin Kane lacked. The sole exception was the summer of 1951, when Robert Preston stepped in (on both radio and television) to play Barnett’s brother, Pat, who manned the fort while Bellamy was away on vacation.

The show was also more popular, both critically and commercially, than Martin Kane, and even inspired a tie-in comic book. When it left CBS in 1953, it made some sort of television history when it became a regularly scheduled show on two different networks, NBC and Dumont, occupying the same time-slot on both.

In 1956, two years after it left the airwaves, the producers tried to revive the show as a summer replacement for the Loretta Young Show, bringing in Frank Lovejoy to play Barnett, who carried a gun, but not the show. It only lasted a short while.

Undeterred, ABC supposedly tried again in 1958, this time with Darren McGavin in the role for a pilot, although I’m not completely sure the internet’s not pulling my leg–that was also the year Mickey Spillane’s Mike Hammer made its debut, with McGavin in the title role. Was the actor double-dipping, or were there two P.I. shows starring McGavin making the rounds simultaneously?

TRIVIA

RADIO

TELEVISION

COMICS

DVDs

Man Against Crime seems to have slipped into the grey area of public domain, and as a result, there are no “official” DVD releases, but several budget-priced, hit-and-run collections of assorted episodes of occasionally dubious technical quality. But the charms of this early example of the genre still come shining through…Here are a few:

Report respectfully submitted by Kevin Burton Smith. And a tip of the fedora to Betsy Bogert Mölders for getting my head straight.

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