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David Ross (The Outsider)

Created by Roy Huggins

By all accounts, The Outsider was an above-average 1967 made-for-television movie, which served as a pilot for an equally well-regarded but short-lived TV series the following year. Created by Roy Huggins, a man who knew a thing or two about P.I. shows, it certainly had potential, and I’m pleased to report that, from the handful of complete episodes and snippets of several others which have occasionally resurfaced on You Tube, that it demands further investigation.

It featured the adventures of low-rent ex-con turned resigned, wistful private eye DAVID ROSS played by Darren McGavin, but it’s the word “loser” that immediately springs to mind–it’s a far cry from the brash, cocksure Mike Hammer he’d played years earlier.

Often looking like he’d just rolled out of bed (and that he’d possibly slept in his clothes), Ross lived and worked out of an equally rumpled apartment in a rundown building, drove a beat-up car, and was often beat up himself in the course of his cases–when he wasn’t dodging creditors. Not that life had never been particularly kind to Ross anyway.

Orphaned at an early age, a high-school dropout, he eventually ended up in prison on a trumped up murder charge. Even when he was released, after six years in the slammer, the cops continued to harass him. Ross had discovered that the world wasn’t exactly a friendly place for those on the “outside,” and so he set out to help them, hence the name of the show. His “outsider” status allowed him to empathize with other people, and he was an extremely thorough and dedicated detective, and would often take on low-paying cases.

One of the first of the sensitive, compassionate eyes to be featured on television (he didn’t even carry a gun!), Ross echoed literary eyes of the era such as Ross Macdonald’s Lew Archer and Thomas Dewey’s Mac, and anticipated the world-class pained exasperation of both Harry O and Jim Rockford.

Although The Outsider never truly caught on (it was cancelled after one season), it bore more than a few similarities with both those shows, particularly the latter (which Huggins co-created seven years later). And as in most of Huggins series, his 1949 novel The Double Take, which had featured Stuart Bailey of 77 Sunset Strip fame, was adapted as an episode.

From what I’ve seen, I want to see more. Unfortunately, there’s been no official (ie: legal) release of the show on DVD, and it doesn’t seem to be streaming anywhere (except–maybe–on You Tube) but copies on the collector-to-collector market are apparently easy to find.

And here’s an interesting bit of trivia: Rockford kept his gun in the cookie jar, Ross kept his phone in the fridge. Is this some sort of Huggins’ trademark?

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FURTHER INVESTIGATION

Respectfully submitted by Kevin Burton Smith. Thanks to Ted Fitzgerald for his help on this one, and Jeff for the prod.

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