Site icon The Thrilling Detective Web Site

Ned Beaumont (The Glass Key)

kevinburtonsmith

Created by Dashiell Hammett
(1894-1961)

“I can stand anything I’ve got to stand.”
— Ned Beaumont

 

Unlike Dashiell Hammett‘s other novel-length protagonists, Sam Spade, The Continental Op and Nick Charles, NED BEAUMONT is not a private eye–not even a retired one.

He’s a political hanger-on and fixer, a cigar-smoking, hard-drinking gambler with a weakness for money and women. He’s tall and slim and slick as spit, with a mustache, and obsessed with personal bugaboos, especially loyalty and personal honour. More than one wag has suggested that he was, in many ways, Hammett himself (a charge also often aimed at Nick Charles, in fact), and they’re probably not completely off-base.

He may not be an eye, but Beaumont certainly shares more than a few tributes with Hammett’s other heroes (and Hammett himself), including, most importantly, those twin bugaboos. Just as The Op pledges allegiance to The Continental Detective Agency, and Sam Spade sets out to avenge Miles Archer’s death (even though he didn’t like him much), so does Ned stick his own neck out, in the name of nothing more than friendship.

To clear his pal, Paul Madvig, a flashy, corrupt and impulsive politico, from a trumped-up murder charge, Ned takes the law into his own hands, operating in the no man’s land between rival political and criminal factions, in Hammett’s The Glass Key, first serialized in Black Mask, and later published in book form in 1931. It all takes place in an unnamed city (possibly Baltimore?) that, like Red Harvest‘s Personville, is rotten to the core.

Many, in fact, including Raymond Chandler, Julian Symons and Ellery Queen, considered it the best novel he’d ever written. Including Hammett, who not only thought it was the best novel he’d ever written, but the best novel he could write.

But wrapping it up took him a while. Flush with the wild success of his last novel, The Maltese Falcon, which brought him the fame and fortune he’d long sought, he may have celebrated a bit too much. He’d finally left the wife and kids back in California, moved to a swank hotel in New York City, and as David Peace put it, “painted the town red. A few shades of red.”

But it all caught up with him, and Hammett found himself in early 1931, after months of being sick, drunk, screwing around and just too damn lazy, unwilling or unable to whip the already serialized novel into shape for book-length publication. And then he saw the light–or possibly a demand from his publisher–and so in February 1931, he finally sat his ass down and finished up the novel in one mammoth, booze-free, thirty-one hour writing session.

The Glass Key became a bestseller, as well, and yet–to this day–is often overlooked, over-shadowed by the enduring success of The Maltese Falcon and The Thin Man, both of which were bestsellers, as as well as spawning multiple film adaptations. The Glass Key was also adapted into a film, once in 1935, and again in 1942. Both films are well regarded by movie buffs, particularly the second one, but the quiet, tricky book they’re based on, told in a cold-as-ice subjective third person point-of-view that leaves so many questions unanswered, a complicated “record of a man’s devotion to a friend,” as Chandler put it, never quite caught the public’s imagination the way his other books did.

But, as author David Peace puts it in his 2012 overview of The Glass Key,

“But what books. And the best of those books, the very best of any books, the book every person should read at least once, and every writer at least once a month, is The Glass Key.” 

UNDER OATH

NOT THAT THERE’S ANYTHING WRONG WITH THAT…

SERIALIZED IN BLACK MASK

NOVELS

FILMS

TELEVISION

FURTHER INVESTIGATION

Respectfully submitted by Kevin Burton Smith.

Exit mobile version