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Cash Wale

Created by Peter Paige
Pseudonym of Morton Wolson
(1913-2003)

“It all began with the dog who liked beer…”
— the opening of “A Corpse for Cinderella”

Yet another hard-boiled private eye from the pulps, Peter Paige’s CASH WALE was a New York City dick very much in the Race Williams vein, full of gunplay and fisticuffs, but with a welcome dollop of humour–something ol’ Race wasn’t exactly known for.

For starters, Cash could charitably be called “pint-size”–a welcome change from the parade of hulking brutes unlike most of his fellow rough-and-tough sleuths. The good news for Cash was that he had a sidekick, Sailor Duffy, an ex-boxer, who could protect him. The bad news was that Duffy had taken a few too many punches to the head during his fighting career. So the two have to keep an an eye on each other.

But what really makes the series work is the over-the-top, eyeball-rolling plots (think Norbert Davis) and the slang-filled dialogue and excrucuating, punnish malapropisms, almost approaching Bellemesque levels, and the set-up for much of the series, which involves Cash and Sailor on the run from the law, accused of murder, for a case they botched. The stories are purportedly “letters” written to author Paige informing him of their misadventure while they seek to clear their names.

ABOUT THE AUTHOR

Peter Paige was one of Black Mask editor Fanny Ellsworth’s first discoveries after she succeeded Joseph Shaw, but he and his most famous creation, Cash Wale, soon lit out for greener pastures, stopping for a while at Detective Tales, but eventually joining the ranks of Black Mask‘s rival, Dime Detective, where Cash Wale stories continued to appear for the next decade.

THE EVIDENCE

SHORT STORIES

COLLECTIONS

Respectfully submitted by Kevin Burton Smith.

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