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A. Dunster Lowell (The Boston Terrier)

Created by Blake Edwards & Tom Waldman

Blake Edward must have really liked this idea.

After failing to interest any of the networks in his 60-minute pilot, The Boston Terrier, about the adventures of suave, Harvard-educated (and presumably dogged) private eye A. DUNSTER LOWELL in 1962, Edwards tried again the next year with a revamped thirty-minute version—in essence, he produced not one but two (Count ‘em!) pilots.

The first aired as an episode on The Dick Powell Show, and presented itself as a quirkier, more light-hearted version of Peter Gunn, which had just ended its run in 1961. In it, the upper-crust Ivy League investigator, the scion of a wealthy Boston family (played by a pre-Man From U.N.C.L.E. Robert Vaughan) uses all the latest gadgets (thanks to his old Harvard Professor and current mentor, who considers criminology a “hobby”) to investigate the theft of a 300-pound antique machine gun. The whole thing’s boosted along by a zippy score by Ernest Gold. According to Powell, who introduced each show, the show was actually filmed on location in Boston, although most of it takes place indoors, and the few outdoor shots aren’t particularly convincing.

Round Two aired in ABC, and was supposedly more quickly paced, with Vaughan reprising the role, although the plot and cast were different. It was, according to Film Score Monthly, a “rushed affair with little of the hour long pilot’s flair and a very generic score.” Odd, that, given that the score was by Henry Mancini, Edwards’ go-to guy when it came to music.

But this pilot didn’t sell, either, and the weekly series Edwards was hoping for never materialized.

TELEVISION

FURTHER INVESTIGATION

Respectfully submitted by Kevin Burton Smith.

 

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