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Droopy (Droopy, Master Detective)

Created by Tex Avery and Rich Hogan

“Hello, all you happy people.

Created by Tex Avery and Rich Hogan for MGM for cartoon shorts back in the forties, DROOPY was the slow-walking, slow-talking, seemingly indestructible and certainly unflappable bloodhound who somehow always seems to get his man (or woman) (or wolf). Since he first appeared, in the eight-minute short Dumb-Hounded (1943) as a one of the prison bloodhounds assigned to track down an escaped wolf, the monotoned mutt has taken on many roles, playing a cowboy, a butler, a knight, a barista, an heir, a scuba diver, a circus acrobat and even making a a cameo as an elevator operator in 1988’s big screen Who Framed Roger Rabbit?

So it was only a matter of time before he became a private eye. After all, he already had law enforcement experience, having played cops, deputies and even a Mountie in Northwest Hounded Police (1946). But his biggest sustained bout of crimefighting would come in Droopy, Master Detective (1993-94), a Saturday morning cartoon which cast Droopy and his son Dripple as vaguely noirish private detectives.

Or at least what usually passes for vaguely noirish private detectives in cartoons. In most episodes, there are fedoras and trench coats, over-sized magnifying glasses, and suitably shabby offices (heavy on Venetian blinds and old fashioned telephones) where these “private eyes” meet clients, including  various sultry (for kids) femme fatales. The intention is almost always to spoof the genre, though any spoofing is usually limited to the usual visual tropes.

And of course this is Saturday Morning Cartoonland, so everything is flexible and up for grabs, depending on script requirements. Droopy and Dripple might be space detectives rocketing around the cosmos chasing rogue aliens in one episode or referred to as Elliot Droopness and Son in another, while their cases included superhero yarns (trying to bring arch criminal Babyman to justice), westerns (rounding up notorious desperado Butch McWolf in the Old West) and  cock-eyed Sherlockania (Sherlock Droopy, sporting a deerstalker’s hat battling arch-nemesis Professor Wolfiatity in Queen Victoria’s bedroom).

Wolves, of course, are the frequent villains (Tex Avery!), but this being a Hanna-Barbera production, it’s a far cry from the wild surreal and off-kilter antics of the original Avery classics, and was simply mass-produced, rather toothless fodder for non-discerning kids.

Still fun, but oh, what it might have been…

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Respectfully submitted by Kevin Burton Smith.

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