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Manville Moon

Created by Richard Deming
Pseudonyms include Max Franklin, Emily Moor, Ellery Queen
(1915-1983)

MANVILLE “MANNY” MOON is one of the great series eyes that somehow slipped through the cracks, somewhere between the pulps of the late forties and the he-man crime digests and paperbacks of the fifties.

He’s tough, honest and handy with the wisecracks, as expected, but he’s a whole lot more. He’s undeniably got his roots in the pulps, but he also displays a surprisingly compassionate side that neatly anticipates Lew Archer, Dan Fortune et al. He’s even polite to the ladies.

Part of his empathy no doubt stems from the fact that he’s literally “walking wounded.” He’s got a grim contraption of cork, steel, aluminum and leather, where his right leg below the knee used to be, courtesy of his stint working for Uncle Sam during WWII, and a face a woman once referred to as “a battered Saint Bernard.” His injuries don’t seem to slow him down any, though–other than not being able to run away very quickly, but in true pulp tradition, he doesn’t run away very much. He’s pretty tough.

Manny’s stomping ground is St. Louis, where he plies his trade, and keeps an eye on Fausta Moreni, the lovely proprietor of the El Patio Café. Silly me, for some reason I thought it was Buffalo, New York. But in Gallows in My Garden (1952), a suspect takes a ferry “across the river” to Illinois, which would certainly suggest St. Louis, and there are–I’m told–several direct references to downtown St. Louis streets, as well as frequent mentions of Union Station on Market Street.

Or am I confusing him with Deming’s other P.I., Barney Calhoun, who appeared in at least one book, Hit and Run? He definite;y (I think) came from Buffalo. It doesn’t help that Moon never actually names the town Moonville’s in, as far as I can recall.

Not that it actually matters–Deming’s depiction of a rough-and-tumble town with more than its share of hard edges–wherever the hell it is–is rendered with verve and grit, and the stories themselves have far more wit and style than you might expect.

Sure, Deming did a lot of hack work in his long career, but he also churned out some pretty solid stuff as well. He wrote for the pulps and digests, did several novels under the house pseudonym of Ellery Queen, and numerous tie-ins for such crime shows as Dragnet, Mod Squad, Charlie’s Angels, Vega$ and Starsky and Hutch, often under the penname of Max Franklin. A consumate pro, he re-wrote The Clue of the Broken Blade, one of The Hardy Boys adventures, and even dabbled in television.

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Respectfully submitted by Kevin Burton Smith. The cover of The Gallows in My Garden (Dell, 1953) is by Bob Hilbert.

 

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