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Lucky Coyne (aka Kensington Slade, Jinx Jordan & Rocky Stone)

Created by the Harry “A” Chesler Syndicate

Yet another of those comic book eyes that slipped through the cracks was the chameleon-like  NEIL “LUCKY” COYNE. In his brief career — he appeared in as many as a couple of dozen cases stretching from about 1937 to 1946, and was something of a shapeshifter, working as a police detective, a reporter AND a private eye.

As a cop, Detective Mike McDune was often here to lend Lucky a hand, and as “the Daily World‘s star reporter,” he could also count on the assistance of “the beautiful Kitty,” (who sometimes wrote a column for the lovelorn). Cub reporter Terry also aided and abetted, and stuck around when Lucky became a PI. He referred to him as his “two-fisted pal.”

But no matter the job, Coyne stuck to his gimmick. Like Batman‘s nemesis Two-Face, Lucky would flip a coin to help him make decisions, heads meaning “Yes” and tails meaning “No.” Mustaches, pipe smoking and occupations might come and go, and hair colour might change (sometimes within the same story) but the coin-flipping remained. But lucky coin or not, Lucky was prepared — he was a big bruiser, a crack shot and a savvy sleuth.

Not that he got any respect. Lucky Coyne was a product of the Harry “A” Chesler Syndicate, a sprawling publishing empire and comic book sweatshop studio not exactly known for consistency. Magazine and story titles were changed or recycled, numbering was a joke and art and script credits were more a theory than anything. The syndicate also leased out characters and reprints to numerous other comic publishers, including Centaur, MLJ, Rucker, St. John, and Bell Features Syndicate, all of whom took a whack at Lucky, which explains the lack of any sort of continuity, up to and including his name itself.

One story alone, “The Mystery of the Evil Eye,” which originally appeared in Dynamic Comics #1, was subsequently reprinted in Strange Terrors #1, Crime Reporter #2, and Authentic Police Cases #8. The Lucky stories were often redrawn and re-lettered, with Lucky becoming, in various stories, Kensington Slade, Jinx Jordan or Rocky Stone.

In fact, because so many of the stories were untitled, and the syndicate and the various publishers were so cavalier about keeping track of things, it’s difficult to say even how many stories Lucky even appeared in, or how many times his stories were regurgitated.

Like I said, no respect.

There’s nothing really outstanding about Lucky, except for the coin-flipping and his ubiquitousness, but he’s a prime example of how generic the comic book detective had become by the 1940s.

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Respectfully submitted by Kevin Burton Smith.

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