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Slam Bradley

Created by Malcolm Wheeler-Nicholson
Developed by Joe Shuster and Jerry Siegel

Before there was Mike Hammer, before there was Johnny Dynamite, before there was even Batman, there was… SLAM BRADLEY!

He was the original two-fisted, fightin’-mad (and occasionally pipe-sucking) comic book shamus, who slugged his way through the mean streets (of Cleveland, Ohio?) in the pages of Detective Comics, the comic book response to the hard-boiled crime and detective pulps of the time. Slam loved a good brouhaha (eyes left) and he usually found one.

During his long career as a “tough private detective” (his run in Detective Comics still ranks second only to Batman himself), Slam often went undercover, as a teacher, a magician, a prizefighter and even a singer on the radio, with only his aggravating, buffoonish “partner pal” “Shorty” Morgan for back-up. In many cases, they didn’t even have a client–the two just happened to stumble upon some criminal skullduggery.

Slam may not have been too original–he was only slightly more cartoonish than Race Williams and other hard-boiled dicks of the time–but his importance lied in other areas. He was the first private eye to appear regularly in comic books, and is still by far the most enduring of all comic book eyes (over 200 appearances, and counting) and if tall, muscular, raven-haired and square-jawed Slam bore more than a passing resemblance to Superman, well, given his roots, that shouldn’t come as a shock.

It’s hard to remember, in these days of born-again Batmania, that the Caped Crusader wasn’t always the star of Detective Comics. Originally, the whole idea behind that comic was quite radical–an entire comic book of original stories devoted to one theme, not a hodge-podge of reprints and a few random original stories shoved between two covers for a fast buck. In the case of Detective Comics, the theme was mystery and detection, mostly of the hard-boiled variety. And one of the many detectives in that very first issue, dated March 1937, was Slam.

Over the first few years, the magazine would play host to a slew of various crime fighters and adventurers, be they cops, spies, district attorneys, criminal lawyers, reporters or, especially, private eyes, shooting  or dukin’ it out with the bad guys. Unfortunately, after Batman’s debut in issue #27, all those great old characters would eventually have to make do with back-up feature status. But Slam hung on a good long time, making him arguably DC’s longest-running hero.

Who, coincidentally, was developed (at the suggestion of comics publisher Malcolm Wheeler-Nicholson) by the same guys, young cousins Jerry Siegel and Joe Shuster– you may have heard of them. The two were still trying to peddle this Superman guy to Wheeler-Nicholson when Slam made his first appearance in the first issue of Detective Comics.

The character, as sketched out by Wheeler-Nicholson in a May 13, 1936 letter to Siegel, read:

“We need some more work from you. We are getting out at least one new magazine in July and possibly two. The first one is definitely in the works. It will contain longer stories and fewer. From you and Shuster we need sixteen pages monthly. We want a detective hero called ‘Slam Bradley’. He is to be an amateur, called in by the police to help unravel difficult cases. He should combine both brains and brawn, be able to think quickly and reason cleverly and able as well to slam bang his way out of a bar room brawl or mob attack. Take every opportunity to show him in a torn shirt with swelling biceps and powerful torso à la Flash Gordon.”

And according to Shuster:

“We turned it out with no restrictions, complete freedom to do what we wanted. The only problem was we had a deadline. We had to work very fast, so Jerry suggested we save time by putting less than six panels on a page. The kids loved it because it was spectacular. I could do so much more. Later on, the editors stopped us from doing that. They said the kids were not getting their money’s worth.”

They were sure getting their money’s worth in that first issue—right off the bat, Detective Comics was notable for having much longer stories, with Slam’s debut clocking in at an impressive thirteen pages and was clearly not left-over material from rejected newspaper submissions.

Slam was still making appearances in Detective Comics well into the forties. In 1943, newspaper cartoonist/illustrator Jack Farr was brought on board by DC to handle the stories. But by the fifties, Slam was gone, presumably off to sleep the big sleep.

Or so we thought.

Oh, he popped up every now and then. In the eighties, Slam returned in a couple of special stories in issues of Detective Comics celebrating various anniversaries, although (thankfully) without his annoying sidekick. In issue 500, he appeared in “The ‘Too Many Cooks…’ Caper,” which was billed as a Slam Bradley story, reuniting him with many of DC’s non-costumed detectives, including Roy Raymond, Christopher Chance and Jason Bard. And in issue #572, he appears alongside Batman, The Elongated Man and Sherlock Holmes in “The Doomsday Book,” to mark the 50th anniversary of Detective Comics. Pretty appropriate, I’d say….

Then, in the nineties, Slam began to show up more regularly in some of the Superman titles. Or at least a character called Slam Bradley, Jr. did, as detective in the Metropolis police deppartment. And there was a rather skewered version of the character in a comic called Guns of the Dragon, under the name of “Biff” Bradley. Contributor Scott Hileman once asked the editor at a convention about it, and was told that they had indeed wanted to use Slam Bradley, but that he’d been already “optioned” by another editor. Hence… “Biff.”

It wasn’t the comeback longtime fans wanted. But the best was yet to (finally) come…

THE RETURN OF SLAM BRADLEY

In 2001, the real Slam was back in the back pages of Detective Comics! He made his triumphant return in “Trail of the Catwoman,” an original, decidedly stylish four-part story written by Ed Brubaker, of Scene of the Crime, Criminal and Captain America fame, and drawn by Darwyn Cooke.  In it, he’s hired by Gotham’s mayor, of all people, to find Selina Kyle (aka “Catwoman”), despite the fact she’s supposed to be dead. Slam takes the case and finds her alive, but runs afoul of Bruce Wayne (and Batman) in the process.

In any revival of a long-ago comic book hero, there’s a certain amount of creative revisionism, and this case was no exception. Fortunately, though, the tinkering was kept to a minimum (no suddenly revealed superpowers, no alien clones, no parallel universe or time travel bullshit). The only real change seems to have been location–if Slam’s original stomping ground was supposedly Cleveland, there’s no doubt that it’s now Gotham City. And Slam’s allegedly comic sidekick, Shorty Morgan, is mercifully nowhere to be seen.

Slam, looking pretty spry for someone who made his debut in 1937, turned out to still have plenty of game, and was just as fond of fisticuffs as ever. As Slam himself remarks, after pounding out a few thugs, “Not too shabby for an old guy.”

Catwoman must have been impressed, too. Because shortly after, he began appearing in the Catwoman comic, as a recurring character. He’s even listed in the Catwoman Secret Files & Origins special issue, where we learn the shocking fact that Slam’s middle name is… Emerson?

Even more shocking, though, are the revelations of issue #16 (April 2003), wherein Slam finally confesses his love for Catwoman.

Of course it wasn’t meant to be (December? Meet April. Or possibly May), but it was sure swell while it lasted.

Since then, Slam’s hung around, making occasional appearances, including, appropriately enough, Detective Comics #1000, and more recently he took a starring role in Gotham City: Year One, a 2022 mini-series, set two generations before Bruce Wayne’s birth, wherein private eye Slam Bradley is hired by to investigate the high profile abduction of infant Helen, the daughter of wealthy Richard and Constance Wayne, Bruce’s grandparents, and the so-called “Princess of Gotham.” The crime’s already being dubbed the “kidnapping of the century,” and Slam realizes almost instantly that’s more to it than meets the eye. It’s a noirish, brooding tale, all dark shadows and family secrets, with nods to the Lindbergh kidnapping and Hammett’s The Maltese Falcon.

So far as I know, DC’s never put out a collection of Slam Bradley stories, featuring some of the best stories from various parts of his long, long career, but damn it, they should.

I’d buy that.

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Report respectfully submitted by Kevin Burton Smith. Thanks to George Moss for putting me straight. And Scott Hileman for the extra leads. This one’s for Jerry and Joe.
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