Created by L.S. Goldsmith
“You’re not talking to a cluck Charlie. You’re talking to a guy who knows all the angles.”
The flick does have its moments — Duryea is, as always, compelling to watch, as he plays yet another malicious, bullying villain (with trademark bowtie and a shit-eating grin), with the producers no doubt hoping to take advantage of Duryea’s growing on-screen rep for slapping women around.
I mean, come on. Manhandled?
Could they have been a bit more blatant? (Actually, they could have–the actual tagline boasts of a “‘Lady Killer’ who knew how to ‘handle’ women!”)
The low-budget flick also boasts a pretty impressive cast — Duryea co-stars with Dorothy Lamour, Sterling Hayden, and Irene Hervey, but the head-scratching plot and the so-so direction detract from its potential.
But even with its flaws, it’s a fun film to watch. Don’t let the cute little bowtie fool ya–Karl’s a scuzzy, sleazy op not above a little blackmail, see? So when his downstairs neighbour Merle Kramer (Lamour) tells him about a wealthy patient at the psychiatrist’s office where she works who’s been having recurring nightmares about beating his wife to death–the wife who, it turns out, was beaten to death–Karl smells a big payoff. Especially when it turns out several valuable jewels that belonged to the wife are also missing.
But wait! There’s more! It turns out the cops and insurance investigator Joe Cooper (Hayden) are also sniffing around Merle–something to do with her shady past, while her boss, Dr. Redman, is somehow involved in the murder as well. And so, around and around and around we go, with the morally greasy Karl, visions of hot jewels dancing like sugar plums in his head, makes his move, willing to do almost anything, be it punching Merl around, tossing her off a rooftop, or grinding the good doctor against a wall with his car, to get what he waits.
By the way, just for the record, in real life Duryea was supposedly a pussycat.
ABOUT THE AUTHORS
I couldn’t find much about L.S. Goldsmith, who wrote the original story, “The Man Who Stole a Dream” (some say novel), that Manhandled was based on. It was adapted by the director, Lewis Foster (1898-1974) and Whitman Chambers (1896-1968) an American author who wrote for the pulps (including several stories about newshawk Katie “The Duchess” Blayne), and maybe twenty novels, mostly crime, including The Come-On (1953) and another one called… Manhandled (1960) that has absolutely nothing to do with the 1949 movie, and may actually be a soft core porn novel.
UNDER OATH
- “With Dan Duryea in the main role of Karl Benson, a crooked private eye, Manhandled might have been a true classic in that series of thrillers dealing with the degraded cop or investigator. As it is, due to the extremely convoluted plot and slack direction, the film lacks suspense, and it never develops the true potential of its characters and locales. However, the opening dream sequence and the scene in which Benson crushes Redman with his car is quite evocative of the noir style and rates a middle of the road place in that genre with two and three quarters stars,”
— Bob Porfirio, Film Noir: An Encyclopedic Reference to the American Style
SHORT STORY
- “The Man Who Stole A Dream” by L.S. Goldsmith (source unknown)
FILMS
- MANHANDLED | Watch it now!
(1949, Paramount Pictures)
97 minutes
Black & white
Tagline: The story of a smiling “Lady Killer” who knew how to “handle” women!
Based on the short story “The Man Who Stole A Dream” by L.S. Goldsmith
Screenplay by Whitman Chambers and Lewis R. Foster
Directed by Lewis R. Foster
Starring Dorothy Lamour as Merl Kramer
and Dan Duryea as KARL BENSON
Also starring Sterling Hayden, Irene Hervey, Philip Reed, Harold Vermilyea, Alan Napier, Art Smith, Irving Bacon, James Edwards
Produced by William H. Pine and William C. Thomas
Original Music by Darrell Calker
Cinematography by Ernest Laszlo
FURTHER INVESTIGATION
- These Eyes Keep Themselves in Trouble
Bad, bad eyes… - My Scrapbook: Pressbook for Manhandled
BSP, 1949 style.
Respectfully submitted by Kevin Burton Smith.
