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Colt Seavers (The Fall Guy)

Created by Glen A. Larson

“It’s a death defying life I lead
But I’ll take my chances…”

Okay, you might consider it a stretch to include TV’s The Fall Guy (1981-86, ABC) on this site, but under-employed stunt man COLT SEAVERS (played by a post-$6,000,00 Man and post-Farrah Lee Majors) actually did moonlight as a bounty hunter. And sure, it may be even more of a stretch to include the 2024 big budget feature film, also called The Fall Guy, starring a post-Ken Ryan Gosling stepping into the lead, this time on the hunting (but not getting paid for) a missing actor.

But, hey, it’s my site. And I have to admit the film is a whole lotta fun–way more than I expected. Certainly way more than the cheesy but oh-so-eighties TV show it was “loosely based” upon. Which, in turn, may have been “loosely” inspired by the 1978 Burt Reynolds flick Hooper, which also dealt with stunt work.

How cheesy was the TV show, then? It even boasted a theme song that explained its premise. Week after week. Just like The Flinstones or Gilligan’s Island. But even better? The theme was sung by Lee Majors himself.

But hey, people loved this action-packed fromage. Colt and his “team” (stuntman-in-training Howie Munson and stuntwoman Jody Banks) shared a side gig as bounty hunters, working for bail bonds woman Samantha “Big Jack” Jack (Laugh-In‘s Jo Ann Pflug). Every week they would go after the bad guys, not at all shy about using their physical skills and stunt tricks to awesome effect. Cars were chased, cars were crashed, fist fights abounded, doors were kicked in, people jumped off buildings and from other high places, and most importantly, things blew up. But they always blew up real good.

It was also a treasure trove for TV junkies on the hunt for 1980s B-list and “where are they now?” guest stars and cameos, running the gamut from David Carradine and Heather Locklear to Roy Rogers and Doug McClure.

And then, after a respectable five-season run, it ended.

Until Hollywood came calling four decades later, reimagining the premise as a big-budget, action-packed rom-com summer blockbuster starring Gosling as Seavers, and Emily Blunt as Jody Moreno, a former flame of Colt’s who’s directing her first film, some sci-fi stinker called Metalstorm. The hook is that the film’s star Tom Ryder, an insufferable action star who does “all his own stunts,” has disappeared. She asks Colt, Tom’s stuntman (who of course had a real stuntman doing his stunts), to track him down.

So… not much more different of a plot than, maybe, the TV show. But this time around, they’ve got plenty of money to toss around. The stunts are suitably eye-popping, and if you didn’t like that explosion, wait a few minutes.

How big a budget, you ask? They brought in a ringer to sing the theme song this time: country crooner Blake Shelton.

And you’ve gotta love the stunt-packed movie-within-a-movie-within-a-movie cheekiness of it all, and how the whole thing is spritzed with a knowing douse of good-natured insider humor. Lee Majors and Heather Thomas, starts of the original show, even make cameos in the end, though I’m willing to bet younger viewers won’t be getting that joke.

It may just be the smartest dumb movie about movies I’ve seen in years.

UNDER OATH

TELEVISION

FILMS

FURTHER INVESTIGATION

Respectfully submitted by Kevin Burton Smith. 2024 illustration of Gosling as Colt by Kristian Hammerstad, from the May 13 issue of The New Yorker.

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