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Paul Pine

kevinburtonsmith

Created by John Evans
Pseudonym of Howard Browne
(1907-1999)

  

Of all of Raymond Chandler‘s followers, the most Chandlerish of them all might have been Howard Browne.

And Browne’s private eye hero, PAUL PINE, is simply one of the great eyes, no matter how inspired by (or derivative of ) Chandler’s Philip Marlowe he obviously was.

In fact, one of Howard Browne’s pseudonym, “John Evans” was the name Chandler gave to his private detective in the short story “No Crime in the Mountains,” which later formed part of the basis for the Marlowe novel, The Lady in the Lake, although Browne claimed this was just coincidence.

Uh, maybe…

Still, deriviative or not, the Pine books are well worth reading, and A Taste of Ashes (1957), the fourth and final novel, is just a flat-out, stone-cold private eye classic. Pine is a former investigator for the Illinois State attorney’s office who runs a one-man private detective agency in Chicago. He’s got the obligatory cynicism and snappy similes and metaphors down pat, though he tends to be a bit more down to earth than Marlowe, and often mocks his own tendencies to moroseness and world-weariness. And Browne was a stronger plotter than Chandler.

Born in Omaha, Browne grew up the son of a bakery owner. He dropped out of high school and rode the rails to Chicago in the twenties, where he was a legman for a local newspaper before getting a job as a department store credit manager. He turned to pulp fiction writing in 1939, and became a magazine editor at Ziff-Davis publishing in 1941. He stayed in that position while writing science fiction, fantasy, and detective stories and novels both under his own name and the pseudonym John Evans. He even wrote a handful of stories about almost-P.I.s with such colourful monickers as Lafayette Muldoon and Wilbur Peddie.

It’s a shame Browne stopped at four books and one short story. The guy could write. Unfortunately for lovers of the P.I. novel, Hollywood noticed that, too, and made him “an offer he couldn’t refuse.” It was the early days of television, and the fledgling industry was in desperate need of writers. “It took me a full five minutes to make up my mind,” he recalled years later. He eventually went on to write and sell over 125 scripts for such TV shows as 77 Sunset Strip, Maverick, Mannix, Bourbon Street Beat, Cheyenne, Mission Impossible, The Fugitive, Columbo, Simon and Simon and others, and also wrote the screenplays for several gangster films, including Capone, The St. Valentine’s Day Massacre and Portrait of a Mobster.

Meanwhile, his Paul Pine books quietly developed a small but loyal cult following among P.I. readers. In 1985, almost thirty years after Pine’s last appearance, Dennis McMillan published a book The Paper Gun. This volume collected the only previously-published Pine story, “So Dark For April,” plus an incomplete Pine novel that Browne, in the foreword, calls “a story complete in itself. But it is not the whole novel.”

Browne went on to relate how he had lost interest in the private eye genre, and so the story is only 122 pages in length, too long for a short story, but too short for a novel. According to McMillan, Browne, before he died, had rewritten The Paper Gun and added to it but never finished it. And that’s a shame. There was magic in them thar pages and, indeed, in everything Browne wrote.

It took a while, but in 2018, Haffner Press finally released all four novels as well as The Paper Gun and “So Dark for April” in a collector’s volume, Halo for Hire (though I’m not sure why some smirky Bruce Willis wannabe in a white suit is on the cover), but so far the novels individually remain out of print — a significant black hole in the genre.

UNDER OATH

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Respectfully submitted by Kevin Burton Smith. Thanks to Monte Herridge for the scoop on “The Paper Gun.” Original cover scan of Halo in Blood courtesy of Mark Terry at Facsimile Dust Jackets.
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