Created by Michelle King and Robert King
“I don’t think anyone’s expecting me.”
— Elspeth introduces herself to the NYPD in the first episode.
Understatement of the year?
The debut opened with a classic Colombo-style murder (recently re-popularized by Ryan Johnson’s Poker Face), and the rest of the show follows the filter-free, mitten-wearing Elspeth as she introduces herself to the NYPD detectives working the case, and inserts herself, uninvited, into the investigation, much to the annoyance of pretty much everyone.
It’s a thin line the show has to walk here, though. How quirky is too much? I wouldn’t want the show to devolve into a Monk-like schtick fest, where the eccentricities of the detective threaten to swamp the boat.
As in, how often can Elspeth pivot from murder and violence to “Ooh, that’s pretty!”?
Fortunately, The Good Wife and The Good Fight creators and writers Michelle King and Robert King are pros, and they have a pretty good track record of knowing when to rein it in–and when to go for broke. Plus, they’ve been carefully working Elspeth into their both their legal dramas for since 2009, always to good effect.
It all looks promising, and having Wendell (The Wire) Pierce as a suspicious (and possibly corrupt) Captain C.W. Wagner and Carra Patterson as Kaya Blanke, a young patrol officer reluctantly ordered by Wagner to “keep an eye” on Elspeth, as co-stars, not to mention the Kings in the writers room, can’t hurt.
But it’s not a P.I. show, at least so far. Then again, both The Good Wife and The Good Fight boasted some pretty intriguing private eyes in their supporting casts.
It turns out that Elspeth has a knack for worming her way into open homicides, gradually winning the begrudging respect of the detectives actually working the cases. And so she cracks the case (just like Columbo, the guilty are also almost always well-heeled assholes), while Elspeth’s ongoing love affair with New York City continues unabated.
If New York’s tourism board isn’t advertising on this show, they should be.
UNDER OATH
- “Can someone please nominate Carrie Preston for an Emmy for this show? She continues to be a delight… a chatty, chipper, endlessly curious attorney who tends to be condescended to by both law officials and crooks… Whether Elspeth is aware of how she’s perceived only adds to the appeal of Preston’s performance.”
— People Magazine (December 18, 2024)
TELEVISION
- ELSPETH
(2024-25, CBS)
10 60-minute episodes
Premiere: February 29, 2024
Created by Michelle King and Robert King
Writers: Michelle King, Robert King
Directors: Robert King, Rosemary Rodriguez, Ron Underwood
Starring as Carrie Preston as ELSPETH
With Wendell Pierce as C. W. Wagner
and Carra Patterson as Kaya Blanke- SEASON ONE
- “Pilot” (February 29, 2024)
- “A Classic New York Character” (April 4, 2024)
- “Reality Shock” (April 4, 2024)
- “Love Knocked Off” (April 11, 2024)
- “Ball Girl” (April 18, 2024)
- “An Ear for an Ear” (April 25, 2024)
- “Something Blue” (May 2, 2024)
- “Artificial Genius” (May 9, 2024)
- “Sweet Justice” (May 16, 2024)
- “A Fitting Finale” (May 23, 2024)
- SEASON TWO
- “Subscription to Murder” (October 17, 2024)
- “The Wrong Stuff” (October 24, 2024)
- “Devil’s Night” (October 31, 24)
- “Elsbeth’s Eleven” (November 7, 2024)
- “TBA” (November 14, 2024)
- “Gold, Frankincense, and Murder” (December 5, 2024)
- “One Angry Woman” (December 12, 2024)
- “Toil and Trouble” (December 19, 2024)
- “Unalive and Well” (January 30, 2025)
- “Finance Bros” (Febuary 6, 2025)
- “Tiny Town” (Febuary 13, 2025)
- “Foiled Again” (January 20, 2025)
- “Tearjerker” (January 27, 2025)
- “TBA” (March 6, 2025)
- “TBA” (March 13, 2025)
- “TBA” (April 3, 2025)
Respectfully submitted by Kevin Burton Smith.
