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Tom Lopaka, Tracy Steele & Greg MacKenzie (Hawaiian Eye)

Created by Roy Huggins

“The soft island breeze brings you strange melodies
And they tell of exotic mysteries under the tropical spell of
Hawaiian Eye. Hawaiian Eye. Hawaiian Eye.”
— most irritating TV theme ever?

Another piece of product from the Warner Bros. TV Eye factory, picture this as “77 Sunset Strip goes Hawaiian.”

But actually, Hawaiian Eye was by far the most successful of the Sunset clones, lasting four seasons, and still has plenty of fans to this day. In its heyday, it spawned a comic book, a tie-in paperback, a couple of soundtrack albums and even a board game. (Which makes it all the more peculiar that Warner Bros. has still not released the show on VHS, DVD or Blu-Ray, and has only allowed a few episodes to trickle onto their own streaming service).

But after finally seeing some of those episodes, personally, I don’t get it.

Unlike say, Peter Gunn, I don’t think Hawaiian Eye has held up all that well over the years, beyond a certain lightweight nostalgac charm and easy-going harmlessness. The plots are rather loose, coincidence-prone shambles, the acting glib, the gags obvious. But hey, that’s just me…

Set in Honolulu, it featured the exploits of two handsome (natch!) private eyes, studly young TOM LOPAKA (Robert Conrad in his breakthrough role) and slightly older Korean war vet TRACY STEELE (Anthony Eisley), who sported a Walt Disney-style mustache that I guess was supposed to be dashing. They worked out of a poolside office at the ritzy Hawaiian Village Hotel, where they had a side gig as house detectives.

Adding (allegedly) comic relief were Cricket, a ditzy blonde nightclub singer/photographer (played by Connie Stevens), and Kim, a ukulele-playing local cabbie with relatives all over over the islans. And, of course, there were all those helpful crossovers with other WB P.I.s from 77 Sunset Strip, Bourbon Street Beat and Surfside 6.

A third eye, GREG MacKENZIE (played by Grant Williams), joined the agency midway through the second season, and Troy Donahue, who’d recently played private eye Sandy Winfield II in Surfside 6, joined the cast as the hotel’s social director Phillip Barton in 1962. All the eyes made good use of their police contact, Lt. Danny Quon of the Honolulu police.

All in all, I suppose it was probably no worse than any of the other cheesy private eye shows Warner and its rivals were squeezing out like so much video Play Doh at the time, although I much preferred Bourbon Street Beat, which had arguably better scripts.

But if you’re keeping score, Hawaiian Eye is the one with the palm trees and occasional scenes of women in grass skirts.

And the annoyingly upbeat cast…

AN INSIDE JOB?

“Although the show was basically 77 Sunset Strip (with Hawaiian shirts), which in turn was based on Roy Huggins’ Stuart Bailey character, Huggins never actually wrote a single episode of Hawaiian Eye. The only credit he had was for Dead Ringer, during the 59-60 season. But it was actually an old Maverick script, “The Jeweled Gun,” that was recycled during a writer’s strike, and “rewritten” for Hawaiian Eye by another writer. And Warner Brothers took the position that since it was a remake of a previously aired script, no additional payment for additional uses of the script were due the writer credited on the original TV film.”
— an anonymous source who–in 1998–was still worried about his WB pension.

UNDER OATH

TELEVISION

COMIC BOOKS

NOVELIZATION

OH THE GAMES PEOPLE PLAYED THEN

MUSIC

“The soft island breeze brings you strange melodies
And they tell of exotic mysteries under the tropical spell of
Hawaiian Eye. Hawaiian Eye. Hawaiian Eye.

Where love and adventure await
This is your fate and you can not stray from
You can’t run away from
Hawaiian Eye. Hawaiian Eye. Hawaiian Eye.”
(repeat ad nauseum)

FURTHER INVESTIGATION

THE DICK OF THE DAY

Respectfully submitted by Kevin Burton Smith. Thanks to Warren Sears, Dick Martin and Henkinex for some of the info on this page.

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