Dr. Goldberg Delivers His Diagnosis—and it’s Murder
March 2023: Watching MAGNUM P.I. this season has been interesting from a story-telling and budget standpoint. I was hoping when the show moved from CBS to NBC, we’d see a creative retooling that abandoned the terrible bifurcated storytelling that I assumed was a side effect of COVID social-distancing and budget cuts.
Sadly, that was not the case. If anything, the bifurcated storytelling has gotten worse, with far more talky scenes on the standing sets, obviously to lower production costs even further.
Half the episode is still devoted to the mystery/crime, the other is a thin, boring, dead-end, “personal” story with the supporting characters. One episode had Rick and TC searching for a lost mouse in Magnum’s condo.
Honest to God.
Another had them playing darts in Rick’s bar and talking about Magnum and Higgins.
That’s TV writing malpractice.
The only way to watch the show now is with one finger on the fast-forward button to do what the producers and editors won’t: cut the padding and focus on the story that actually has stakes, conflict and forward-motion (ie: entertainment value).
Instead, MAGNUM P.I. has become a half-hour show padded to fill an hour-long slot. The studio could save a lot of money and the dignity of their supporting cast by giving up the ruse. And we’d get twice as many episodes that would be a lot more fun to watch, too.
Or give us an hour-long show with a compelling story that fills the time with conflict and stakes and that integrally involves the supporting cast in a meaningful way. But if you must have standalone B-stories without the two leads (to save $$$ and give the stars a break), the subplots need genuine conflict, stakes and narrative momentum that actually give the supporting cast something to play and viewers something entertaining to watch.
Playing darts and chasing mice doesn’t cut it.
End of rant.